Rodrigo Vasquez–a self-described producer, film director, creative director, designer, cameraman and journalist from Buenos Aires, Argentina–has traveled to dozens of countries around the world where he has reported on issues of social, political and economic injustice. For an installment in Al Jazeera’s news program People & Power, Vasquez took his camera into the jungles of Colombia to investigate the state of the hemisphere’s longest lasting guerrilla war.
This past Monday, Colombian president Juan Manuel Santos and FARC rebel leader Timochenko signed a historic peace agreement six years in the works.1
En estas líneas me detengo en la pregunta que mañana la ciudadanía de Colombia deberá responder en las urnas. Esta pregunta constituye un eslabón fundamental de todo un ciclo político cuya potencialidad es inconmensurable para el país (y, consecuentemente, para toda América Latina). Mi afán aquí no es ni criticar al gobierno, ni debilitar el proceso plebiscitario, sino que, muy por el contrario, mi punto es simplemente contextualizar y señalar algunos errores de procedimiento que se podrían haber evitado.
With the late-summer release of Netflix’s new hit series, “Narcos,” which documents the rise of Pablo Escobar and his position as one of the most powerful men in Colombia, as well as one of the richest men in the world, the former drug lord has reemerged as a hot topic in American popular culture nearly 22 years after his death. This is not the first time, though, that Escobar’s life has been dramatized for either film or television.
It is no secret that the armed conflict in Colombia with the Revolutionary Armed Forces of Colombia (FARC) has claimed the lives of thousands of innocent civilians during its more-than-50 year lifespan. The numbers are staggering, as more than 220,000 people have been killed, 80 percent of whom were civilians, 150,000 people have been displaced each year since 1985, and more than 63,000 people have been officially reported as missing.