This November, Peruvian president Ollanta Humala signed a decree designating a massive area of the Amazon jungle a new national park.1 Sierra del Divisor National Park, whose an area of 5,470 square miles is greater than the United States’ Yellowstone and Yosemite National Parks combined, connects two protected areas on either side of it to finally link together the Andes-Amazon Conservation Corridor.2,3 The green corridor now protects 67 million contiguous acres of pris
Art and Culture
In 2009, Mexico decriminalized the possession of small quantities of several drugs, including marijuana, cocaine, heroin, and LSD in an attempt to combat police corruption and to put a greater focus on the more dangerous cartels and traffickers rather than the small-time users.
If you have heard anything about the Paris climate conference—formally known as the 21st Conference of Parties, or COP21—then you know that lots of people seem very excited about the recently adopted 2 degrees Celsius agreement. “I believe this moment can be a turning point for the world,” said U.S. President Barack Obama. U.N. Secretary-General Ban Ki-moon declared, “What was once unthinkable has now become unstoppable.”1,2 But what does this number mean?
With the late-summer release of Netflix’s new hit series, “Narcos,” which documents the rise of Pablo Escobar and his position as one of the most powerful men in Colombia, as well as one of the richest men in the world, the former drug lord has reemerged as a hot topic in American popular culture nearly 22 years after his death. This is not the first time, though, that Escobar’s life has been dramatized for either film or television.
The Brazilian government has placed its bet on Amazonian hydroelectric infrastructure as a key piece of its clean energy future. A national discourse about the green economy and sustainable development surround such large development projects today, despite the long and distressing historical track record of building large dams in the Amazon.
Military dictatorships in most Latin American countries during the 1970s suppressed the population, but out of it grew a movement that remains strong. People who were typically voiceless, began to use walls as a microphone for their political and social expressions. While street art is not always politically linked, the movement grew from the need to not be silenced anymore.