At the opening of the new year, Julian Assange tweeted out a photograph of himself in an Ecuadorian soccer jersey. The gesture, while not immediately grabbing anyone’s attention, was seen in hindsight as a subtle clue towards Assange’s newly granted citizenship.
“Conceptually, we may call truth what we cannot change; metaphorically, it is the ground on which we stand and the sky that stretches above us.”
— Hannah Arendt, “Truth and Politics”
This article focuses on the current shifts in expressions of Cuban national identity by considering the articulations of cubanidad and cubanía in recent films from Cuba’s Muestra joven, a showcase for new filmmakers organised by the state film institute (ICAIC).